“This is a book about Yukio Mishima, the writer. I was aware of Mishima’s work, and who he was, and that whole melodramatic way in which he committed suicide. I thought this book was a great departure from the stuff we talked about so far, in the sense that it was not a social documentary. It was more about his lifestyle, or aesthetics, or the kind of homo-, quasi-, fascistic ideals that he had. It's visually lush. It’s a kind of ‘60s Japanese black-and-white, contrasting photography. It's very theatrical. It's not like the other things that I talked about.
This book opened up a little door that possible to have gay content and it was possible to come from outside of the West. That combination of gay and Asian, it rang a bell with me. It made me think something like this was possible. In my education, I'd never been shown anything like this. I had a very classical kind of education.”
- Sunil Gupta, Photographer